I. Mademoiselle.
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Cold through the beginning
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she lay, smiling tender.
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Soulmate drugs,
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"Hindsight, etcetera,"
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I nod,
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try eye contact.
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Deepness brightest first, words pulse and
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breathe like coral, shudders soaking through
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oesophagus. Red-black bulk slides down,
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spent clouds and dark air.
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I choke,
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sulk joy.
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She stares;
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almonds creasing silver,
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skin-deceiving feline.
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It seems I make her laugh,
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harmless and charming,
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truth stored away between the days lived
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absent, more than less.
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She is in love,
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she struggles out between kissed lips,
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broken in half,
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dissolving faster.
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Tempt me, why don't you,
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lush black widow sun-spider?
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Acid, choose me in safekeeping,
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just to be in her blood
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to buoy her up.
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II. Glass Slipper
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Head on drums again,
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rain right where he wishes
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he spent time. He justifies
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staring with remembered things
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and, impressed himself, considers
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sidelong all the
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hidden thoughts like meat.
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While Cinderella with
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split face is in the street, the morning
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menace to Spring's child
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eyes him bright; their skins flash,
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and sit untouched.
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She-cat mother, windows
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tinted rose, and
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she has doubts, he's sure, but should he
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stay? He's
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dead, he's like a proud man
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in debt, and she is trouble
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for the sad, she said.
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Become what she has,
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the whole of her hands on dirt,
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the still ghost body
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fading while thunder
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rests, marshalling that
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hope, pursuit in laughter of
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the turned voyeur,
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those slide eyes bruised;
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she flinches, he postures
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loose, his smoke
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the butterflies she saw.
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III. OST
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She finds the underside when she
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looks up into me, curious
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and smirking, shouted life spent fast
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against the railings, furious
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with passion and her vast unknown
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exploits around the dark sundial,
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obsession with and disregard
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for living longer than the stars,
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with their eternities to think;
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She doesn't give a shit about
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rewards, the drugs alone work out
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much cheaper than the kitchen sink,
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and it's the taking part that counts;
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Mortician, weigh us by the ounce.
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IV. Out of the Bag
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She saw butterflies stop by the
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bookcase, in the smoke of our loose
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postures. He flinched. Her bruised eyes slide
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onto the voyeur turned to use
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of laughter in pursuit, best hope
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that he can muster at rest in
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the thunder while the fading out
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of body ghost still smiles about
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the dirt on her hands, the hole in
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her tongue, what she has become; glad
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to be speaking through reeds and sad
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for the trouble she's been. Kohl on
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her face, and she's proud like he's dead;
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he'd stay there for good if she said
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that he could, but he doubts that she
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would, since she has roses, tipped by
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her window. Curled as a cat she
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sits and flashes skins so bright eyed
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child springs to mind, the menace of
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the morning street, the white face spilt
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with smoulders catching cinders while
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she meets and holds his crooked smile
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sidelong, never backing down. He
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considers himself impressed, and
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wishes he'd forgotten to stand,
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just this time, on solid ground. He
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wishes he were right for once. Rain
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drums on; it's in his head again.
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V. What's it got to do with you, Gene?
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Like Pushkin sonnets,
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lost glass slippers
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left behind.
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Cinderella with
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split face,
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Spring's child
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bright; skins’ flesh,
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untouched.
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In the dull,
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her bruised eyes slide
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onto the fading out
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of body ghost,
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the dirt
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her tongue, and
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she is proud like
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he is dead, and she is
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trouble for the sad,
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she said.
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Curious, deafening life
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spent furious, undersides’
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unknown obsessions and
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rewards; he justifies remembered
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things like meat
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with crooked smile backing down,
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the hope that
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it is just in his head again.
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Choke,
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sulk.
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Stare; silver
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deceives the days lived
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absent, more than less.
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Window-tinted doubts are
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dead, like proud men's
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debt, and she is
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trouble for the sad,
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she said.
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Struggled kiss
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dissolving, tempted
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by black widow acid sun's
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safekeeping,
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just to be
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in her
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blood, to buy
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her.
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Air dark,
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clouds spent down
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bulk black-red
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oesophagus through soaking
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shudders, coral
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breath and pulse,
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words, at first
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brightest depth, and she is
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trouble for the sad,
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she said.
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Lay, tender
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whole ghost body
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fading, thunder
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laughter of
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the bruised; they flinch
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and posture
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like smoke butterflies,
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"Hindsight," she says,
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I nod, " etcetera."
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